Tag Archives: Authors

What’s On in Cape Town in May 2026

May in Cape Town is packed with a lineup of events for all ages – from world-class theatre, opera, and comedy festivals to wine experiences in the Winelands, pop-culture events, and more.

Here is your ultimate guide to what’s on in Cape Town in May 2026:

Comic Con Cape Town

Pop culture fans unite at Comic Con Cape Town.

📅 30 April – 3 May 2026 📍 Cape Town International Convention Centre

Cape Town’s biggest pop culture and gaming festival spills into May with Comic Con Cape Town. Expect everything from comics, cosplay, and gaming to film activations, exclusive merchandise, and fan experiences. It’s a must for geeks, gamers, and pop culture lovers. For tickets, visit here.

Lucky Clover Market

📅 2 May 2026📍 Novalis Ubuntu Institute, Wynberg, Cape Town

Wander through a mix of thrift treasures, handmade crafts, holistic goods, and artisan deli stalls. Set in peaceful gardens, this community market comes alive with live music, food stalls, and plenty of hidden gems to discover. Entry is free.

Volunteer Wildfire Services Trail Challenge

Trail running enthusiasts and outdoor adventurers are invited to lace up for a cause at the Volunteer Wildfire Services Trail Challenge.

📅 3 May 📍 Gardens Rugby Football Club

Trail running enthusiasts and outdoor adventurers are invited to lace up for a cause at the Volunteer Wildfire Services Trail Challenge. This much-anticipated event combines adrenaline with breathtaking scenery to support the dedicated volunteer firefighters who protect the Western Cape’s natural landscapes. Starting from the Gardens Rugby Football Club, participants can choose between a 10 km or 20 km route, both of which traverse the trails of Table Mountain and Devil’s Peak. Get more information here.

Private Salon – Sar la Rouge – Digital Art & Charity event

At the centre is Franco-Togolese digital artist Sar La Rouge, known for bold, expressive portraits that explore how screens shape perception and reality.

📅 8 and 9 May 2026 📍 Constantia

A private home in Constantia opens its doors for a two-day immersive digital art experience that blends contemporary art, music, and community impact. At the centre is Franco-Togolese digital artist Sar La Rouge, known for bold, expressive portraits that explore how screens shape perception and reality. The opening evening (8 May) is an intimate sunset event featuring live music, curated canapés, drinks, and art throughout the house. The family day (9 May) offers a relaxed, interactive experience with workshops, kids’ activities, and full access to the exhibition. All proceeds support The Bridge Orphanage. Tickets available via Quicket.

RISE ‘76: The Story of June 16th

📅 8-30 May📍 Baxter Theatre Centre

Commissioned by The Market Theatre and The Baxter Theatre to mark the 50th anniversary of the 1976 Youth Uprisings, Rise ’76: The Story of June 16th is a powerful new South African work of historical fiction by Tiisetso Mashifane wa Noni, a two-time Fleur du Cap Award-winning playwright-director.

Set in the fictional Molefe Secondary School in Soweto, the play unfolds over a single school day as students, teachers, and families confront the impact of the imposition of Afrikaans as a medium of instruction. What begins as an ordinary morning gradually builds towards a moment that will change the course of history. Get your tickets via Webtickets.

The Cableway Charity Challenge

📅 9 May 2026 📍  Table Mountain
The Cableway Charity Challenge is a one-of-a-kind fundraising event hosted on the slopes of Table Mountain. Whether you’re a runner, walker, or casual jogger, the goal is simple: summit Platteklip Gorge as many times as possible between sunrise and sunset on Saturday, 9 May 2026.  Every step taken helps raise vital funds for honoured local charities dedicated to supporting vulnerable women and children across Cape Town. Find out more here.

Candlelight: Tribute to Brenda Fassie

📅 9 May 2026 📍 Hugo Lambrechts Music Centre, Cape Town

Candlelight Concerts’ special edition pays tribute to the legendary Brenda Fassie, celebrating her music through a powerful live performance bathed in candlelight. Audiences can expect a 60-minute concert featuring reimagined renditions of some of her most iconic songs, including Vuli Ndlela, Weekend Special, Too Late for Mama, Nomakanjani, and more. Tickets are available via Fever.

Nina Simone Tribute Dinner with Auriol Hays

📅 9 May2026. 📍 Time Out Market Cape Town

Step into an evening with Auriol Hays as she channels the spirit and music of Nina Simone. Through song and storytelling, Hays brings Simone’s legacy to life, capturing the power and vulnerability behind the icon.  For ticket prices and information, visit here.

Musgrave Gin Floral Workshop and High Tea

Hosted by Musgrave Gin in collaboration with uBlom, this exclusive event is elevated by a curated high tea by acclaimed chef Elsa van der Nest.

📅 9 May 2026 📍  Constantia Valley

Hosted by Musgrave Gin in collaboration with uBlom, this exclusive event is elevated by a curated high tea by acclaimed chef Elsa van der Nest. Guests will create their own striking bouquet while enjoying refreshing pours of Musgrave Pink Gin or the non-alcoholic Musgrave Inspirit 0%. Afterwards, sample a high tea menu featuring buttery French sablés, finger sandwiches, a flourless chocolate cake with ganache, and a baked goat’s cheese quiche. For ticket prices, visit here.

Absa Run Your City Cape Town 10KM

📅 10 May 2026 📍 Woodbridge Island, Milnerton

This high-energy road race combines fitness with sightseeing as runners follow a scenic coastal route into the city centre. Even spectators can enjoy live entertainment and a vibrant race-day atmosphere. It’s a ‘proudly South African, proudly Cape Town’ must-experience mass-participation road-running event. Catch our Cape Town Tourism mobile team at the event and enjoy an immersive VR experience of the city. More information here.

The Human League

The Human League - Don't You Want Me (Official Music Video)

📅 12 May 2026 📍 Grand Arena, GrandWest Casino and Entertainment World

British synth-pop pioneers The Human League are set to deliver an electrifying night of pure 80s nostalgia, performing a string of timeless hits, including “Don’t You Want Me”, “Human”, “Together in Electric Dreams”, “Mirror Man” and “(Keep Feeling) Fascination.” Joining them as special guests are fellow UK synth-pop favourites Blancmange, whose cult classics “Living on the Ceiling”, “Blind Vision” and “Don’t Tell Me” have earned them a loyal global following. Tickets are on sale here.

Winemaker’s Dinner at Mont Rochelle

📅 15 May 2026📍 Franschhoek

Wine and food in one of the Cape’s most stunning locations? Yes, please! Begin the evening with a guided cellar tour led by winemaker Michael Langenhoven, offering insight into the winemaking process and varietals. Afterwards, tuck into a five-course menu created in collaboration with Executive Chef Terence Morris, with each dish thoughtfully matched to complement the wines and elevate every course. Tickets cost R1350. Email reception@montrochelle.virgin.com

Franschhoek Literary Festival

The Franschhoek Literary Festival, launched in 2007, takes place annually on the third weekend of May.

📅 15 – 17 May 2026📍 Franschhoek

A must for book lovers, this festival brings together leading authors, thinkers, and creatives for talks, debates, and intimate discussions, all set in Franschhoek. The Franschhoek Literary Festival, launched in 2007, takes place annually on the third weekend of May. Tickets from around R125 via the festival website.

Carmen

📅 19 – 31 May 2026 📍 Artscape Theatre Centre, Cape Town

Cape Town Opera presents a bold new staging of Carmen, Georges Bizet’s timeless opera. Set against a backdrop of jealousy and desire, the story follows the fiery, independent Carmen as she defies convention and captivates all who cross her path, ultimately setting tragedy in motion. Tickets are available via Webtickets.

Sanlam Cape Town Marathon

📅 23 – 24 May 2026 📍 Cape Town

One of Africa’s premier running events, the Cape Town Marathon draws elite athletes and casual runners from around the world. Renowned for its scenic yet fast route, the race is a highlight of the global marathon calendar. More information here.

A Night of Wine & Wonder

📅 23 May 📍  Protea Hotel Stellenbosch and Conference Centre

Set in the heart of one of South Africa’s most striking wine regions, this curated experience brings together 17 top wine farms, great music, and plenty of space to relax and socialise. It makes for the perfect night of sipping and discovering your next favourite wine. Get your tickets via Quicket.

ACDC Duet Xchange 2026: The Art of the Duet

📅 22 – 23 May 2026 📍 Star Theatre, Homecoming Centre

This two-night contemporary dance platform is presented by Anderson Carvalho Dance & Choreography. This artist-led platform is dedicated to duet-based collaboration, bringing together local and international artists to create new choreographic works rooted in dialogue and shared authorship. Guest choreographers and companies featured include New World Dance Theatre, Northern Dance Academy, and Janine Booysens. For more information and tickets, visit here.

Jive Cape Town Funny Festival

📅 28 May – 21 June 2026 📍 Baxter Theatre Centre

The Jive Cape Town Funny Festival has been the Mother City’s ultimate cure for chilly winter evenings for more than two decades. Since its debut in 1997, the festival has consistently drawn sold-out crowds. This year’s edition promises a laugh-a-minute experience, featuring a stellar international and local line-up. Audiences can look forward to the mesmerising Italian shadow artist and illusionist Matteo Fraziano, the UK’s dynamic singing impersonator Mike Woodhams, the wildly inventive Spanish balloon artist Dani Airhead, and some of South Africa’s finest comedic talent, including Jason Goliath and Robby Collins. Get your tickets here.

The Good Life Show

The Good Life Show celebrates conscious living, food innovation, wellness, and sustainable lifestyle inspiration under one roof.

📅 29 – 31 May 2026 📍 Cape Town International Convention Centre

The Good Life Show celebrates conscious living, food innovation, wellness, and sustainable lifestyle inspiration under one roof. Over three days, visitors can explore a curated mix of plant-based cuisine, health and wellness brands, eco-friendly products, and live cooking demonstrations from top chefs and industry experts.  Tickets start at R150 and are available via Quicket.

Bed By 10pm LGBTQIA+ Edition

📅 30 May 2026 📍 The District, Harrington Street

Want to serve face, dance like it’s the early 2000s, and still be tucked up in bed by 10 (ish)?  Bed By 10: LGBTQIA+ Edition is your throwback party for legends who love a big night out but love a good night’s sleep even more. Expect nonstop 80s–00s anthems, iconic drag performances, and live acts, DJ sets. Get your tickets via Howler.

Amapiano Fest Cape Town

📅 30 May 2026 📍 Cape Town High School, Gardens

Amapiano Fest is a major South African outdoor music festival and cultural celebration dedicated to the Amapiano genre, featuring top DJs, producers, and live performances. Book your tickets via Howler.

Sunday Lunch at Connexxion Restaurant

📅 31 May 📍 Garden Court Victoria Junction

Garden Court Victoria Junction hosts a Sunday lunch buffet on the last Sunday of each month. Enjoy a generous selection of fresh salads, artisanal breads, hearty hot dishes such as lamb, chicken, and curry, and classic desserts. Priced at R375 per person, R185 per child under 12, and children under 4 eat for free. For more information, email gcvictoriajunction.reservations@southernsun.com

The post What’s On in Cape Town in May 2026 appeared first on Cape Town Tourism.

New Insights from BFA Global Reveal What It Really Takes to Increase Women’s Incomes

NAIROBI, Kenya, 21 April 2026 -/African Media Agency(AMA)/ – BFA Global today released new findings from its Women’s Economic Empowerment (WEE) Opportunity Leads Umbrella Program, identifying five critical, interconnected domains that drive income growth for low-income women micro-entrepreneurs. The insights emerge from a two-year collaboration with 11 enterprises in Kenya through the WEE Program.

The insights challenge the notion that income growth follows a simple, linear path. Instead, it shows that sustained income gains depend on a set of reinforcing conditions working together.

“We started with a simple question: what does it really take to increase incomes for low-income women in practice, not just in theory,” said co-authors Phoebe Kiboi and Maha Khan. “What we found is that no single intervention works in isolation. Income growth happens when multiple factors align.”

Through the program’s interventions, 1,800 women micro-entrepreneurs saw their incomes rise by an average of 49 percent, equivalent to an additional $85 per month.

The insights identify five interconnected domains that determine whether women can translate opportunity into sustained income:

  • Support Structures: Factors such as childcare, time, mobility, and social norms shape whether women can participate in economic opportunities at all. Enterprises that design around these realities can unlock participation at scale.
  • Skills and Confidence: Skills training is most effective when it builds both technical capability and self-belief, and when women have real opportunities to apply what they learn.
  • Networks: Peer networks provide critical support systems, enabling access to capital, customers, and information. These informal structures often act as the backbone of women’s economic activity.
  • Productive Capital and Assets: Access to capital drives growth only when it is appropriately timed and tailored. Misaligned financial products can hinder rather than help progress.
  • Market Linkages: Connecting women to markets creates opportunity, but sustained income depends on the strength of the other four domains.

When one domain is missing, progress stalls. Skills without market access do not translate into income. Capital without capability creates risk, and market access without support structures excludes those who need it most.

The insights emphasize the need for more integrated approaches that align multiple domains rather than optimizing individual interventions in isolation. For more information, see the key findings.

Distributed by African Media Agency (AMA) on behalf of BFA Global

About BFA Global
BFA Global is an impact innovation firm that combines research, advisory, venture building, and investment expertise to build a more inclusive, equitable, and resilient future for underserved people and the planet. We partner with leading public, private and philanthropic organisations, global and local, to catalyse innovation ecosystems for impact across emerging markets. Since 2006, we have completed 646 projects completed in over 107 countries, supported 250+ ventures in Africa, Latin America, and Asia, who have collectively raised $1B+ in follow-on funding, and have a survival rate above 80% (global average is ~20%), and built a network of 100+ global and African investors, innovators, and funders. Learn more at https://bfaglobal.com/.

The post New Insights from BFA Global Reveal What It Really Takes to Increase Women’s Incomes appeared first on African Media Agency.

‘Confessions of a Shopaholic’ Author Sophie Kinsella Dead After Cancer Battle

Confessions of a Shopaholic author Sophie Kinsella has died after being diagnosed with an “aggressive” form of brain cancer. She was 55.

Kinsella’s family confirmed the news on Wednesday, December 10, writing via Instagram, “We are heartbroken to announce the passing this morning of our beloved Sophie (aka Maddy, aka Mummy). She died peacefully, with her final days filled with her true loves: family and music and warmth and Christmas and joy.”

The writer, whose real name was Madeleine Wickham, battled a form of glioblastoma brain cancer for three years.

“We can’t imagine what life will be like without her radiance and love of life,” the statement continued. “Despite her illness, which she bore with unimaginable courage, Sophie counted herself truly blessed — to have such wonderful family and friends, and to have had the extraordinary success of her writing career. She took nothing for granted and was forever grateful for the love she received.”

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The post concluded: “She will be missed so much our hearts are breaking💔💔💔.”

Kinsella is best known for her 2000 novel Confessions of a Shopaholic, which was made into a 2009 film starring Isla Fisher and Hugh Dancy. Kinsella also wrote standalone novels including 2023’s The Burnout.

“I just think there’s something exciting about the time of life when you’re on the lookout for opportunities in all directions … everything is ahead of you,” she told NPR in 2019 about writing books about people in their 20s. “And for me, the wide-open horizon is so exciting. … I left my job to write novels when I was 20-something, and in my head, I’m pretty much still that 20-something, and looking at the grown-ups.”

She continued: “I always thought ‘chick lit’ meant third-person contemporary funny novels, dealing with issues of the day. I mean, it’s not the ideal term; when I’m asked to describe what I do, I say I write romantic comedies, ’cause that’s what I feel they are. But I’m quite pragmatic.”

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In the comments section of Wednesday’s post, fellow authors shared tributes. Romance writer Kirsty Greenwood wrote, “This is just devastating. Sophie brought such happiness and fun to millions and inspired so many of us to read, to write and to seek out joy and laughter, even in the trickier moments of life. I will be grateful to her and in awe of her, always.”

Style editor Elana Fishman, meanwhile, celebrated Kinsella’s legacy.

“This is such deeply sad news. Sophie’s books were my absolute favorite when I was growing up — especially the Shopaholic series — and I know they brought so many millions of other readers joy as well,” she wrote. “Her words will live on forever ❤️.”

In her own tribute, Cressida McLaughlin credited Kinsella for inspiring her work.

“I am so sorry, and so sad, to read this, and I am sending all of you, everyone who knew and loved her, so much love,” she wrote. “Sophie’s book Twenties Girl made me want to be a writer, and she brought me – and millions of others – so much joy with her wonderful stories. What an amazing legacy, though I know that doesn’t change the immeasurable loss. ♥️ xx.”

‘Confessions of a Shopaholic’ Author Sophie Kinsella Dead After Cancer Battle

Confessions of a Shopaholic author Sophie Kinsella has died after being diagnosed with an “aggressive” form of brain cancer. She was 55.

Kinsella’s family confirmed the news on Wednesday, December 10, writing via Instagram, “We are heartbroken to announce the passing this morning of our beloved Sophie (aka Maddy, aka Mummy). She died peacefully, with her final days filled with her true loves: family and music and warmth and Christmas and joy.”

The writer, whose real name was Madeleine Wickham, battled a form of glioblastoma brain cancer for three years.

“We can’t imagine what life will be like without her radiance and love of life,” the statement continued. “Despite her illness, which she bore with unimaginable courage, Sophie counted herself truly blessed — to have such wonderful family and friends, and to have had the extraordinary success of her writing career. She took nothing for granted and was forever grateful for the love she received.”

Celebrity Deaths of 2025: ‘Jimmy Neutron’ Alum Jeff Garcia and More Stars

The post concluded: “She will be missed so much our hearts are breaking💔💔💔.”

Kinsella is best known for her 2000 novel Confessions of a Shopaholic, which was made into a 2009 film starring Isla Fisher and Hugh Dancy. Kinsella also wrote standalone novels including 2023’s The Burnout.

“I just think there’s something exciting about the time of life when you’re on the lookout for opportunities in all directions … everything is ahead of you,” she told NPR in 2019 about writing books about people in their 20s. “And for me, the wide-open horizon is so exciting. … I left my job to write novels when I was 20-something, and in my head, I’m pretty much still that 20-something, and looking at the grown-ups.”

She continued: “I always thought ‘chick lit’ meant third-person contemporary funny novels, dealing with issues of the day. I mean, it’s not the ideal term; when I’m asked to describe what I do, I say I write romantic comedies, ’cause that’s what I feel they are. But I’m quite pragmatic.”

The Most Shocking Celebrity Deaths of All Time: Diane Keaton and More

In the comments section of Wednesday’s post, fellow authors shared tributes. Romance writer Kirsty Greenwood wrote, “This is just devastating. Sophie brought such happiness and fun to millions and inspired so many of us to read, to write and to seek out joy and laughter, even in the trickier moments of life. I will be grateful to her and in awe of her, always.”

Style editor Elana Fishman, meanwhile, celebrated Kinsella’s legacy.

“This is such deeply sad news. Sophie’s books were my absolute favorite when I was growing up — especially the Shopaholic series — and I know they brought so many millions of other readers joy as well,” she wrote. “Her words will live on forever ❤️.”

In her own tribute, Cressida McLaughlin credited Kinsella for inspiring her work.

“I am so sorry, and so sad, to read this, and I am sending all of you, everyone who knew and loved her, so much love,” she wrote. “Sophie’s book Twenties Girl made me want to be a writer, and she brought me – and millions of others – so much joy with her wonderful stories. What an amazing legacy, though I know that doesn’t change the immeasurable loss. ♥️ xx.”

Africa Re-Union Debuts at FNB Art Joburg: Africa Turns the Map, the Table and the Story

JOHANNESBURG, South Africa, 9 September 2025/African Media Agency (AMA)/- The Africa Re-Union, a landmark artistic initiative, is to be unveiled at the FNB Art Joburg, transforming the fair into a stage of reclamation and imagination, where art became manifesto and memory became movement. It reverses the context of the infamous 1884 Berlin Conference — where Africa was carved and divided without consent — by restoring the continent as author of its own story and architect of its own destiny.

Conceived and co-created by pan-African thinker and founder of Brand Africa, Thebe Ikalafeng, realised on canvas by South African artist Mark Modimola, and anchored in history by Professor Kwesi DLS Prah, the Africa Re-Union is not simply an artwork but a provocative declaration to reimagine the African story and history.

The monumental 3m x 2m canvas inverts Africa—literally and philosophically—using the

Equal Earth projection to restore the continent’s true scale and dignity. Rendered without

borders, it corrects centuries of cartographic distortion that made Africa appear small, coinciding with Africa No Filter, Speak Up Africa and the African Union’s recent call to rectify the misrepresentation of Africa in global maps. The work amplifies the broader Correct the Map campaign, a movement that challenges outdated cartography and calls for equal-area maps that restore Africa’s true size, scale, and significance in the world, and Brand Africa’s broader mission to contribute to the AU 2063 agenda for an integrated, peaceful, and prosperous Africa.

At the heart of the work stands a round table — because here there is no hierarchy, every voice matters equally. Seated are some of the diverse and impactful voices that have shaped Africa’s past and are re-imagining its future: Ghana’s founding president Kwame Nkrumah, Kenyan environmental advocate Wangari Maathai, South Africa’s Nelson Mandela, the frontline independence leaders Julius Nyerere and Kenneth Kaunda, host of hte founding of the OAU, Haile Selassie, Cabo Verde and Guinea Bissau’s Amílcar Cabral, Senegalese thought leaders Léopold Senghor and Cheikh Anta Diop, proponent of the United States of Africa, Muammar Gaddafi, Nigerian writer, Chimamanda Ngozi Adichie, youth activist Zulaikha Patel, the diaspora W.E.B. Du Bois, Dambisa Moyo and freed slave Sojourner Truth, South African sanusis, South African singer, Mirriam Makeba, the first artist to address the United Nations in 1963, cultural activist and sanusi, Credo Mutwa, pan-African advocate for a brand-led renaissance and convenor, Thebe Ikalafeng, and advocate of the African renaissance, former South African president, Thabo Mbeki. Their presence affirms that Africa’s story has always had authors—even when unrecognised. It’s a gathering of the diaspora, the enslaved whose voices were stolen, the revolutionaries and artists, the freedom fighters and feminists, writers, sanusis, and youth across the private and public sectors and the civil service. Together, they embody the unfinished conversation of Africa’s identity, memory and destiny.

One chair is left empty at the table. It is the most important seat of all — a call to action. It belongs to the unborn child who will inherit this Africa, the ancestor whose spirit still hovers, the diaspora longing to remain rooted, and every African alive today who must rise, sit, and take their rightful place at the table of history. The empty chair is not absence; it is invitation.

In a symbolic act of permanence, the original canvas will not be sold. Ikalafeng has instead gifted it to the UNISA Art Gallery, ensuring the work lives where Africa’s future is being studied and shaped. At the largest university on the continent, Africa Re-Union will be preserved not as a commodity, but as a covenant — a manifesto for generations to come. Only 2063 signed limited reproductions will be made available to ensure the conversation goes far. The number is a reminder of the AU agenda 2063 for an integrated, peaceful and prosperous Africa.

“The Africa Re-Union is not a return to the 1884 Berlin Conference table, but the setting of our own table: equal, sovereign, and unapologetically African. It is both remembrance and declaration: Africa is whole again. This time, no one will define us but us,” says Thebe Ikalafeng, Conceptual Author and Chief Curator of the Africa Re-Union.

“For me, Africa Re-Union is about shifting the canvas of our imagination. It’s to challenge how we see ourselves and how the world sees us; not as fragmented, diminished, or peripheral, but as whole, central and sovereign. This work is both a mirror and a map, and reflects our past, but points us toward a future we must author ourselves,” says Mark Modimola, Visual Artist of the Africa Re-Union.

“Johannesburg has always been a city of convergence, where Africa meets the world. To host the Africa Re-Union at FNB Art Joburg affirms our city’s role as a crucible of ideas, creativity and cultural leadership. This is more than an artwork — it is a call to re-centre Africa in history and in the future,” said Vuyisile Mshudulu, Director of Arts, Culture and Heritage for the City of Johannesburg.

“Correcting the map is about more than geography. It’s about dignity. The way Africa is represented shapes how the world sees us, and how we see ourselves. The Africa Re-Union is a bold and creative way of reclaiming that story, insisting that Africa is seen in its true scale, power and possibility,” said Moky Makura, Executive Director of Africa No Filter.

The Africa Re-Union was unveiled at the 18th FNB Joburg Art Fair opening night, in a live performance led by celebrated actor Aubrey Poo and acclaimed poet Napo Mashiane, with costumes designed by award-winning wardrobe stylist, Sheli Masondo. The performance re-imagines the infamous 1884 Berlin Conference, but this time with African agency, voice, and vision at the table.

The Africa Re-Union, part of the broader Correct the Map campaign, a movement that challenges outdated cartography and calls for equal-area maps that restore Africa’s true size, scale and significance in the world launched in partnership with the Johannesburg Art Gallery (JAG) and Africa No Filter, and supported by Brand South Africa, comes at a historic moment. At a time when Africa No Filter, Speak Up Africa and the African Union have called for the world to redress centuries of distorted representations of Africa’s size in global maps, and as the continent prepares to host its first-ever G20 Summit in 2025, the initiative is a milestone in Africa’s growing agency on the international stage.

The Africa Re-Union is a timely reminder that Africa’s voice, creativity and unity are central to creating a Better Africa for a Better World.

Distributed by African Media Agency on behalf of Africa Re-Union

MEDIA CONTACT: 

South Africa

Maria McCloy

(+27) 082 340 0262

mccloypr@gmail.com

International

Eloine Barry

(+255) 07 49 012 888 

eloine.barry@amediaagency.com

UK

Moky Makura

(+44 7939 485160)

moky@africanofilter.org

Thebe Ikalafeng

(+27 82 447 9130)

thebe@brand.africa

The post Africa Re-Union Debuts at FNB Art Joburg: Africa Turns the Map, the Table and the Story appeared first on African Media Agency.

What’s On In Cape Town In September 2025

Cape Town bursts to life this September with a calendar that celebrates Spring and Heritage month. From thought-provoking festivals and soulful food experiences to lively comedy nights and community walks, the city is alive with culture and colour.

Moffie

📅 2-27 September 📍The Baxter Theatre

Fresh from its critically acclaimed London premiere, Moffie arrives in Cape Town. Set in 1979 at the height of apartheid, Moffie tells the story of seventeen-year-old Nicholas van der Swart, a young conscript sent to fight in the South African Defence Force during the country’s Border War. Within this brutal and highly militarised system, Nicholas is forced to hide a truth that could destroy him: he is gay. Tickets from R150 at Webtickets.

World Health Expo Cape Town

📅 2-4 September 📍Cape Town International Convention Centre (CTICC)

Thrive by WHX is coming to Cape Town! From HYROX activations that test your endurance to IGLU therapy sessions that push your recovery limits – this is where fitness, wellness and longevity collide. Register at worldhealthexpo.com.

Social Media Comedy Night

📅 3 September📍Social Select

Social Comedy Nights returns… and it’s bigger, bolder, and funnier than ever! Get ready for a night of unstoppable laughter as Social Select brings some of the best stand-up talent straight to the stage. Get ready for Yaaseen Barnes, Mel Jones, Chuma Bentele and Wesley Paulse to have you in stitches. This is one night you don’t want to miss! Bar and kitchen will be open from 6pm and the show starts at 8pm. Tickets available at Quicket.

Cape Town Photography Festival

📅 4-27 September 📍Locations across the city

The inaugural edition of the Cape Town Photography Festival will explore the multifaceted concept of heritage through photography, offering a platform to engage with visual narratives from local, national, and international perspectives. The festival will use photography as a tool to convey these vital stories, and aims to present an overview of how heritage is understood globally, with a particular focus on the role of photography in capturing and communicating these diverse histories and experiences. Check out exhibitions like District Six: People Lived Here and many more – for more details, visit their website.

Minstrels

Open Book Festival

📅 5-7 September 📍Various venues across the city

A Three Day celebration of literature with panel discussions, author readings, and poetry performances in Cape Town. The program includes conversations on topics such as mental health, evolving relationships, colonial legacies, and queer joy, featuring both local and international writers. Find the full programme here with booking links to WebTickets.

beyond Restaurant x The LivingRoom at Summerhill Collab

📅 6 September 📍 Buitenverwachting Wine Estate in Constantia

This Heritage Month, beyond Restaurant, welcomes The LivingRoom at Summerhill for an exclusive collaboration. For one night only, chef Sebastian Stehr and South Africa’s Chef of the Year, Johannes Richter, will unite for a celebration of indigenous ingredients, coastal flavours, and a shared passion for sustainable cooking. From the bounty of the Cape’s indigenous ingredients to the vibrant produce of KwaZulu-Natal, the evening promises a journey across South Africa’s culinary landscape. For reservations contact the restaurant – email info@beyondrestaurant.co.za or call +27 (0) 21 794 0306 / WhatsApp +27 72 103 3343.

Silent Walk

📅 6 September 📍Newlands

A deaf awareness initiative to bridge the gap between the deaf and the hearing through fun walking with ear plugs to block out sound for an immersive experience. The 5km fun walk starts at 9am from DeafSA at 10 Hemlock Street in Newlands. R50 to register. For more information email silentwalk@deafsa.co.za.

Pool Party

📅 7 September 📍Woolley’s Tidal Pool (Between Kalk Bay and Clovelly)

This social gathering is fun for the whole family and raises awareness of tidal pools along the Cape coastline. This is the first float of the Spring season so make sure to get there early as the fun starts at 8:30am sharp. Bring your own floaties and a pump to blow up your floatables. This is a free event and remember the floats are weather dependent. Keep an eye socials..

Jimmy Nevis Live | The Chronic Heartbreak Tour

📅 7 September 📍Cafe Roux, Noordhoek

Since dominating the South African music charts in 2012 at the age of 19 with his smash hit single Elephant Shoes, Jimmy Nevis has become a much-loved household name here in South Africa. Among many of his accolades, is collaborating with some of the best musicians and producers in the country including Kwesta, Karen Zoid, MiCasa, Pascal & Pearce, and Sketchy Bongo. He has also performed as the opening act for international stars Joe Thomas, Tevin Campbell and Pharrell Williams. Hear him live at Café Roux – show starts at 5pm. Visit caferoux.co.za for more information.

events in cape town september 2025

Celebrating 80 years of Pieter Dirk Uys: No Space on Long

📅 10-13 September 📍Artscape Arena

Presented by Artscape, in partnership with Suidoosterfees, supported by the Consulate General of the Federal Republic of Germany, Cape Town. Terence Bridgett takes you back to the wild, exciting days of Cape Town’s legendary Space Theatre, where drama, dance, comedy and chaos collided. Meet the colourful souls of Long Street, from cheeky bergies, a flamboyant restaurateur, a sharp-tongued ageing prostitute, to a ruthless censor. A nostalgic salute to the fearless spirit of theatre in the 70s and the city that made it possible. Kicking off Pieter-Dirk Uys’ 80th birthday celebrations in style! Tickets from R120 at Webtickets.

2025 Gun Run

📅 13-14 September 📍Mouille Point

The Outsurance Gun will see a series of running events on the Atlantic Seaboard – starting and ending in Mouille Point. The Gun Run, which is viewed as one of the ‘big five’ road races in the province will include a 21.1km half-marathon, 10km run, 17km trail run, 5km fun run, or a 5km pet walk. It’s a dynamic, family-friendly running festival packed with variety and community fun. For more information and race routes go to outsurance.co.za/gunrun/

2025 gun run

Klein Roosboom Presents a Food Styling and Photography Course

📅 19-21 September 📍 Klein Roosboom, Durbanville

Step behind the lens and into the world of food artistry with photographer Marguerite Oelofse and stylist Hannes Koegelenberg in a hands-on, three-day journey into food styling and photography. For all bookings and information, email hanneskoeg@icloud.com.

Food Jams: Cook with Roots

📅 20 September 📍 Franschhoek Valley, Allée Bleue

Cook with Roots is more than just a cooking class, it’s a soulful gathering where food, heritage, and connection come alive. Guided by Food Jams, you’ll cook, taste, laugh, and celebrate the rich tapestry of indigenous South African flavours. A hands-on cooking session using seasonal, indigenous ingredients paired with music, laughter, and a dash of playful kitchen sass. It’s time share stories, connect, and celebrate together. Tickets are R750 per person. Book at foodjams.co.za

Muizenberg Literary Festival

📅 20 – 21 and 27 – 28 September 📍Various locations in Muizenberg

The festival will feature Literary talks and workshops where you can engage with authors and experts on topics like Muizenberg’s history, surfing culture, and creative writing. There will also be an Antique Maps Roadshow where you can bring your historic maps for evaluation by renowned expert Roger Stewart. For information email Muizenberg Heritage at muizenberg.heritage@gmail.com and to book your spot Quicket.

Cape Town City Ballet Presents Budding Ballerinas and Aspiring Danseur Day 

📅 20 and 27 September 📍Cape Town City Ballet Studios, Rondebosch

A magical morning of movement, music and dreams in the making. From ages 5 to 8 on the 20th September and ages 9 to 12 on the 27th September. Let your child step into the enchanting world of ballet with this special day designed just for the young ones. Costs are R500 per child – for more information and for an application for email admin@capetowncityballet.org.za

Credit: Gustavo Fring – Pexels 

Strictly Soul

📅 27 September 📍Youngblood Art Gallery

Africa’s biggest RnB link up is ready to take Cape Town by storm. If you’re a lover of Soul music then we got the perfect link up for you. We’ve dedicated a full night to artists like Brandy, Beyonce, TLC, Mary J Blige, T-Pain, and SZA. Doors open at 7pm. Get your tickets at Quicket.

The post What’s On In Cape Town In September 2025 appeared first on Cape Town Tourism.

30th Rabat book fair celebrates global literature, innovation, and cultural exchange

The 30th edition of the Rabat International Book Fair is underway, drawing readers, writers, and publishers from around the world. The event, which opened on April 17 and runs until April 27, features 700 exhibitors representing 48 countries. Books in Arabic, English, and French fill the exhibition halls, covering a wide range of topics from history and technology to literature and science.

This year, the emirate of Sharjah is honored as the guest of honor, highlighting the strong cultural cooperation between Morocco and the United Arab Emirates. Several Emirati authors and poets are participating in book signings, workshops, and panel discussions throughout the fair.

Children’s education and technology are also at the forefront of this year’s exhibition. Yassine Laghmich, a representative of the Home Applied Training publishing house, showcased their innovative line of interactive children’s books. “The publishing house works on combining technology with reading, creating books for children that merge both elements,” Laghmich said. Their books offer bilingual content in Arabic and English, with built-in devices that allow children to hear and engage with the material.

For students and researchers, the fair remains an invaluable resource. “The Book Fair is very important and takes place annually, allowing Moroccan readers to discover new books,” said Riad Chniter, founder of Editions Sotumedias from Tunisia. He emphasized that university students often attend to find valuable resources for their studies.

Despite the digital age, optimism for physical books remains strong. Othmane Laraqui, a bookseller specializing in English titles, noted that during the COVID-19 lockdowns, sales of physical books surged globally , a trend he believes is still relevant today. “Physical books have never been as actual as today,” Laraqui said.

Beyond the books, the fair offers cultural seminars, book signings, and activities for all ages, reaffirming Rabat’s role as a hub for intellectual and cultural dialogue since the fair’s inception in 1987.

Source: Africanews

Achievements and failures of the DPP and the party’s prospects in the 2019 elections

By Stanley Onjezani Kenani

On Monday, 21 June, 1999, Stuart, my classmate and room-mate at the University of Malawi’s Polytechnic campus and I stood cheering and clapping alongside hundreds of President Bakili Muluzi’s supporters inside the Kamuzu Stadium. Above us, military planes flew in formation, and on the stadium’s football pitch, soldiers stood at attention.

“I am very happy and honoured,” boomed the President’s baritone voice through the microphone, “to hand over the presidential baton to myself.”

His speech was confrontational and devoid of hope, but we did not care. He said, “If others are not happy with this day then they really have a problem. I will not allow anybody – just because they lost an election – to start a civil strife in this country. I have heard that some have threatened to go into the bush! Honestly, just let them try it. I will blow them up! Try it and see. You will see aeroplanes without wings (missiles) come against you.”

Regardless, we cheered and shouted and clapped our hands.

We are counting down to the much awaited 2019 elections and a political analyst has argued that with a recent opinion poll naming opposition Malawi Congress Party (MCP) as the probable winner in the elections, pressure is on Democratic Progressive Party (DPP).

Months ago, the Afrobarometer in its survey placed the MCP as the party.

While in 1994 Bakili Muluzi won with 47 per cent of the vote, in 1999 he got 52 per cent, well ahead of the Malawi Congress Party’s Gwanda Chakuamba, who got 45 per cent (1.45 per cent went to Kamlepo Kalua, while Bingu wa Mutharika got 0.47 per cent).

And while five years before the party had 84 seats in Parliament, this time its numbers rose to 93. MCP had 66 MPs while the Alliance for Democracy (Aford) had 29.

UDF was in its finest hour.

By that time, we had enjoyed five years of freedom of expression. One could mock the president without even fearing arrest or detention without trial.

Take theatre maestro the late Du Chisiza Jr, for instance: In one of his plays, there was a scene in which a president who was not so bright – a clear reference to Muluzi – was surrounded by brilliant chaps who gave him the following advice:

MINISTER: Sir, don’t take this lying down. The Opposition is attacking you every day, subjecting you to ridicule, and you do not respond? Please, do something. Castigate the opposition. Fight back hard.

PRESIDENT: I have taken note of your advice. I will castrate the Opposition-
MINISTER: Castigate, Your Excellency!
Du was not arrested for such a play, unthinkable only five years earlier. Women wore trousers and skirts, both outlawed during the Hastings Kamuzu Banda rule.

Airwaves had opened up, and Power 101 FM and Capital Radio had begun to operate, freeing us from the tyranny of Malawi Broadcasting Corporation. Even television, long banned under Banda, was now here, both in the form of Television Malawi and digital satellite television operated by a South African outfit called Multichoice.

In 1996, we were able to watch South Africa’s Bafana-Bafana national football team become the first team in southern Africa to win the Africa Cup of Nations, turning the likes of Philemon Masinga, Doctor Khumalo, Mark Fish, Lucas Radebe, Helman Mkhalele and Linda Buthelezi into household names. We were also able to watch the much-hyped Ronaldo’s Brazil being clobbered by Zinedine Zidane’s France in the World Cup finals of 1998.

We even joined the bandwagon of supporting English premier league teams, until some of us were to stop years later, upon realizing that this was neocolonialism rearing its ugly head in another form.

All this had become possible because of the nascent democracy, with Muluzi at the helm. Muluzi had demystified the presidency. Whereas his predecessor was considered a demi-god who holed himself up in his obscenely expensive palaces, Muluzi mixed with us, the hoi-polloi, the povo, the common men of our streets.

While Kamuzu addressed everyone in the language of our colonial masters, Muluzi spoke Chichewa, cracked jokes in the language, attended funerals and shed a tear or two in public. Here was one of us in charge.

He was not perfect, of course, and no one ever is. The economy was already being ruined. He allowed private minibus operators to start plying our roads, dealing a massive blow to Stagecoach, the public bus company.

At Air Malawi, cronies and relatives of the president and cabinet ministers flew for free, eating into the profits of the organization.

Muluzi allegedly filled the Malawi Development Corporation with friends and relatives and ran the entity into the ground. Everywhere, there we signs that the economy was being destroyed, but we Malawians, too grateful for our newfound freedoms, did not seem to mind. This was why, even after five years of strangulating the economy, we gave him another mandate, much bigger than the last.

But, to paraphrase Shakespeare in Macbeth, from that spring whence comfort seemed to come, discomfort swelled. For it was in that 1999-2004 term, when UDF was at its strongest, that things began to go wrong.

First, the greed. Mr Bakili Muluzi had tasted the presidency and had seen that it was good. A new thought emerged, if not in his mind then in the minds of his enablers: Perhaps it was unwise to let such a good thing go?

Led by MP for Zomba Thondwe, the late Finly Dumbo Lemani, who doubled as a powerful cabinet minister, the president’s surrogates, especially the late Davis Kapito – UDF’s governor for the southern region at the time – began to talk about removing presidential term limits.

Only five years before, when the constitution of Malawi was re-written, it had become necessary to introduce term limits to prevent another leader from staying for thirty years in power as Dr.

Hastings Kamuzu Banda did. Now, in the Bakili Muluzi universe, the thinking had changed.

Chiefs, as usual, were the first to be bought. They said the term limit was counter-productive. Even thinkers such as respected historian D.D. Phiri argued in favour of the abolition of term limits to allow the president to “finish his projects” for our country.

My friends and I in the university were appalled. How could Bakili Muluzi – whom we regarded a champion of our democracy – turn around and start weighing such a bad idea? To be clear, he himself did not say a word either in favour of or against the idea, but his silence as the surrogates marketed the proposal signaled his tacit approval.

The campaign turned nasty, even brutal. Young Democrats, the aggressive youth wing of the United Democratic Front, started hacking and silencing people opposed to the campaign.

Everyone closest to the presidential seat was characterized as unfit to lead, useless, bran or nincompoops who should never be allowed to touch the presidential baton.

Without necessarily mentioning names, the attacks were aimed at Aleke Banda, Vice President of UDF at the time and a very capable minister whose stint at the Ministry of Finance, Agriculture, and, by the time of that nasty campaign, Health, had seen impressive turn-arounds. The vitriol also targeted the State Vice President, Justin Malewezi, and an openly ambitious powerful cabinet minister, Brown Mpinganjira. Sam Mpasu, Speaker of the National Assembly, was also another target, as were Minister of Education, Cassim Chilumpha, and Natural Resources and Environmental Affairs Minister, Harry Thomson.

While still not categorically disclosing that he indeed wanted to run for the third time, Bakili Muluzi himself waddled into the campaign by working hard to ridicule those he considered a threat. Of Malewezi, for instance, he said he was a “weakling who takes 32 tablets a day to stay alive.”

In November 2001, Bakili Muluzi raised the tempo of the game by firing Brown Mpinganjira as Minister of Transport and Cassim Chilumpha as Minister of Education. Mpinganjira went on to form a nonentity called the National Democratic Alliance, and sunk into the abyss of irrelevance at the speed of light.

While working the microphone at the numerous rallies he and his cronies organized across the country, Muluzi used other tactics to ensure the constitution was changed in his favour.

By now he had come to believe that every man has a price, and so those who could not be persuaded by word of mouth were won over by huge wads of cash that were allegedly passed on in large, brown envelopes at nocturnal meetings that took place at the President’s Sanjika Palace.

Many Members of Parliament entered into a Faustian Bargain with Mr Muluzi. Even John Tembo, then in a bitter power struggle with Gwanda Chakuamba, gave the impression that he and his faction of the Malawi Congress Party (MCP) had been bought.

Meanwhile, some opposition figures and the civil society intensified their stiff opposition to Mr Muluzi’s open terms bid.

The script that was unfolding seemed to be a replica of what had happened in neighbouring Zambia, where President Frederick Chiluba’s third term campaign collapsed in spectacular fashion.

In January 2002, Muluzi fired deputy transport and public works minister Jan-Jaap Sonke, after the latter wrote him a strongly worded letter opposing a bid for a third term in office.

On 4 July, 2002, the Open Terms Bill was tabled in Parliament, and was moved by Alliance for Democracy (Aford) MP for Karonga – Nyungwe, Khwauli Msiska.

In order to pass, the bill needed 128 votes out of the 193 MPs. It turned out that 125 MPs (all from UDF and those from the MCP and Aford factions loyal to John Tembo and Chakufwa Chihana respectively) supported the bill. Fifty-nine MPs from MCP and Aford voted against the bill.

A further three – including Kate Kainja who, being loyal to John Tembo, was expected to vote for the bill – abstained, while another five were absent. This meant that the bill fell short by three votes and was thus defeated.

Unable to accept defeat, Muluzi’s enablers decided to change the narrative and started talking of a third term bill. This time, some courageous MPs from within UDF, led by Joe Manduwa, opposed the bid, and the bill did not even come to Parliament for debate.

Perhaps feeling let down by all those around him, Muluzi decided to handpick Bingu wa Mutharika – a complete outsider – to succeed him. That singular move triggered the slow, painful death of the United Democratic Front.

In the 2004 elections, Muluzi campaigned vigorously for Bingu wa Mutharika. He fancied himself a “political engineer” and dubbed the former United Nations official an “economic engineer”.

It emerged later on that Muluzi thought Mutharika would be so grateful to be given the presidency that he was going to acquiesce to Muluzi’s behind-the-scenes pulling of strings.

It was a grave miscalculation. In February 2005, barely a year after succeeding Muluzi as president of the Republic of Malawi, Mutharika claimed that he was being undermined by Muluzi. He consequently announced his resignation from UDF, purged his cabinet of ministers considered to be loyal to Muluzi and formed his own Democratic Progressive Party (DPP).

Not believing what had just happened, Muluzi decided to fight back. As the 2009 elections loomed, he saw to it that he was designated as the UDF’s presidential candidate.

According to the constitution, a president is allowed to serve no more than two consecutive five-year terms.

Because Muluzi had been out of office since 2004, his supporters argued that the term limit should not apply to him, as it did not restrict non-consecutive terms – if interpreted literally.

Bingu seemed bristled at the idea of facing Muluzi in the election. Rumours began to circulate that Muluzi was to be arrested for corruption soon.

Earlier, on 25 May 2008 to be specific, as he arrived from the United Kingdom, Bakili Muluzi was arrested and whisked into a waiting Malawi Armed Forces Military Plane – a 16 Seater Dornier – which flew him straight to Blantyre, where he was charged with treason.

Speaking to Capital Radio on 22 February 2009, Muluzi accused the government of using intimidation against his candidacy and warned that such conduct could lead to “problems”.

A few days later, he was charged by the Anti-Corruption Bureau (ACB) with stealing approximately 12 million dollars of aid money. He appeared before a court in Blantyre and was released on bail.

The Electoral Commission stated he was not eligible to run again, but his supporters called for an official court decision instead.
On 16 May, only three days before the election, the Constitutional Court ruled that Muluzi could not run again.

MCP President John Tembo was considered the main opposition candidate, and the MCP formed an electoral alliance with the UDF prior to the election.

Tembo’s vice-presidential candidate was Brown Mpinganjira of the UDF. Observing that the DPP had never participated in an election – having been founded in 2005 – Tembo argued that he and the MCP had the experience to govern the country properly. “I belong to the past, I belong to the present and I also belong to the future,” he said.

DPP won the election by a landslide. Bingu, its presidential candidate, won 66 per cent of the vote. In Parliament, DPP won 114 seats, followed by MCP with 26 seats. UDF won only 17, even so mostly in Balaka, Machinga and Mangochi, the sub-region where Muluzi hails from.

The party, or at least what remains of it, has been confined to the sub-region since.
Towards the end of October 2012, delegates at the UDF convention voted for Atupele Muluzi, the son of Mr Bakili Muluzi, as national chairman, setting him up to be the party’s presidential candidate in the 2014 general elections.

There was no prize for guessing whose invisible hand was behind Mr Atupele Muluzi’s victory.

The younger Muluzi used his youthfulness as a campaign point, with sloganeering such as ung’ono-ung’ono or ukiti-ukiti.

Two weeks after being elected at the UDF convention, at the Njamba Freedom Park where his father, 19 years earlier, had said, quoting Abraham Lincoln, “You can delay change but you cannot stop it,” Atupele Muluzi rolled out what he called an “agenda for change.”

He promised a new style of leadership and strong structures of government. He also promised to organize a policy conference, touting it as “the first of its kind,” where views from the public were going to be considered with the aim of giving the public room to contribute their expectations of the UDF in the event of its taking over government in 2014.

A few were taken in by the new UDF leader. Some even went so far as to say his voice was presidential – whatever that means.
Still, it proved hard for him to shake off the impression of being where he was for simply being a son of his father, and that his victory would mean indirectly putting the elder Muluzi back into the seat of power.

When the votes were finally cast, he managed to come out fourth with 717,000 votes, about 1.2 million behind the winner, Peter Mutharika. His party managed to harvest 14 seats.

In a move that did not come across as surprising, in June 2014 Peter Mutharika named Atupele Muluzi as Minister of Natural Resources, Energy and Mining. UDF insisted that it was not in an alliance with DPP.

Interestingly indeed, only Atupele had been incorporated into Mutharika’s cabinet.

The move was to bear fruits less than two years later, when Reyneck Matemba, then leading the Anti-Corruption Bureau’s prosecution team, mysteriously recused himself from the Bakili Muluzi $12 million corruption case.

According to an insider, the Minister of Justice put unsustainable pressure on Matemba to ensure that the case collapses.

Rather than act against his conscience, Matemba chose to recuse himself. The insider went on to say that the levers of action in the Justice ministry were triggered by Atupele Muluzi’s threat to resign from the cabinet.

If this insider account is accurate, it seems the UDF’s current reason for its existence is no longer to seek power, but to protect its founding president from legal troubles associated with the corruption case of about $12 million of donor money that was found stashed into his personal bank account.

O, how the mighty have fallen!
From its peak of 93 seats in 1999, the party now has 14, and in 2019, there is a greater likelihood that even those 14 will be chipped away.

Lest we forget, the region that currently serves as UDF’s stronghold has Muslims as majority voters.

MCP’s latest catch Muhammad Sidik Mia, also a Muslim, is making no secret of the fact that he is eyeing the Muslim vote. At the same time, DPP will surely want to chip away some for itself too.

Mr Atupele Muluzi has indicated that he has a card up his sleeve for the 2019 elections.

What will this be? Resign from cabinet and accuse Professor Mutharika of mismanagement, then run for president yet again? Unlikely, given the fact that the case against the elder Muluzi isn’t completely dead as we speak. What else? Become Mutharika’s running mate? Although Malawi’s politics is regional, Mr Atupele Muluzi has the benefit of coming from both the southern and central regions, given the fact that his mother is from Lilongwe.

Touting his Lilongwe credentials might make him counter the allegation that DPP is featuring only southerners in its top two slots. Whether that would be viable remains to be seen. The future, after all, is not a single destination.

As a party, however, UDF is dead. What remains is a slough (chikhwakhwalulu) of its former self. On paper it still exists as a party, and in parliament it still has a small, if inconsequential, presence. But it is no longer a serious player on the national scene.

While the building of UDF was a team effort, its destruction is the work of one man and one man alone, Elson Bakili Muluzi.

At the height of his presidency, Bakili Muluzi used to joke of other political parties: “Some of these parties will wear out like curtains.” Blinded by power, he could not foresee that his own UDF would end that way.

What a pity!

May the soul of UDF rest in eternal peace. Let’s hope other leaders have learnt a lesson of how not to run a party.

*Views expressed in this article are those of the author and not necessarily of Maravi Post.